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LA Times Interview Nicole Richie and Paris Hilton


Written by admin on December 10 2024

Nicole Richie and Paris Hilton spoke to the Los Angeles Times to talk about their upcoming reality show, Paris & Nicole: The Encore. Read the interview below or on the LA Times website here.


Paris Hilton and Nicole Richie may no longer be driving cross-country in a pink pickup truck or pouring bleach on pool tables in Arkansas, but they still greet each other with the nicknames they imparted on one another when they starred in “The Simple Life.”

Hi, Sill,” Richie says casually over the phone from Los Angeles, to which Hilton replies sweetly, “Hi, Bill.” It’s almost as if more than two decades haven’t passed. Except now, Richie can’t imagine herself in any of the quintessentially Y2K outfits she wore on the show. “But they really are having a comeback for people, so that’s … nice for them,” she quips.

With the premiere of “The Simple Life” in 2003 on Fox, Hilton — the heiress to the eponymous hotel chain — and Richie — the adoptive daughter of Lionel Richie, became proto-reality stars. The initial concept? Two 20-year-old socialites and besties abandon their lives in Los Angeles to live in rural, blue-collar America. Over the course of five seasons, the show evolved, and Richie and Hilton endured a series of wild misadventures: picking up odd jobs at a dairy farm (“one of the hardest,” according to Richie) and the fast-food chain Sonic, traveling by Greyhound bus along the East Coast to various internships, “doing a wife swap” with various families, and working as camp counselors.

But in the years since “The Simple Life” was canceled after its final two seasons aired on E!, it has gained a new set of adoring fans. Like pleated minis, low-rise jeans and crop tops, “The Simple Life” has made a comeback in the culture. Through clever Halloween costumes, scene reenactments and snippets of the series on TikTok, a new generation is experiencing the joys and horrors of “The Simple Life.” Even Richie’s kids and her kids’ friends have been watching it. And it makes sense that the show is having a resurgence: It’s filled with moments that have become crystallized in the annals of reality TV history, like when Hilton asked if they sell “wall stuff” at Walmart or when she fried bacon with an iron. There’s also memorable scenes of Richie shoving her hand in a cow’s rectum (and chasing Hilton with the feces-covered glove) and the moment she dropped and vacuumed ashes at a funeral home (they weren’t real but reported to be cat litter and cement).

It feels amazing to be the pioneers and OGs who have really inspired so many others to try and do similar shows,” says Hilton, 43. “I’m really proud of what Nicole and I did, just being trailblazers in that area.

For Hilton and Richie, “The Simple Life” was a lightning-in-a-bottle experience: They don’t believe the show could exist today, when people are so dependent on digital devices. “Season 1 through 3, we really did not have phones. We had no idea where we were going. We just completely left our lives for a month straight,” recalls Richie, 43. She couldn’t imagine 20-year-olds now being willing to give up their phones for a month. “We were truly cut off from the world.

For years, Hilton and Richie had fielded reunion requests for “The Simple Life,” but it wasn’t until last year that they truly considered it. Over Christmas break, the pair exchanged a series of “giggly” and “friendly” texts about paying tribute to the hit show.

We agreed to meet about it in the new year, and it all just kind of took off from there,” Richie says.

Richie invited Hilton over to watch parts of the show since she hadn’t seen a full episode since it debuted. “It was very funny,” Richie says; however, she admits she found one aspect of it the most “cringe.” “I have a hard time listening to my own voice,” she sighs. “It was so constant throughout the episode.

But they weren’t ready to take on a full season of a series. Instead, the pair opted for a three-part special that premieres Thursday on Peacock, titled “Paris & Nicole: The Encore,” to coincide with the show’s 20th anniversary. “We just thought a three-part special would be the perfect amount for this type of show,” Hilton says.

While the special features Richie and Hilton visiting their old “Simple Life” haunts in Arkansas, like the bar Alligator Rays and, of course, Walmart, it also checks in on the people they met during their hijinks more than 20 years ago. And instead of taking on different jobs, this time they have one overarching project: to create “a next-level opera” out of their inside joke-meets-vibe check song “Sanasa,” made famous on “The Simple Life.”

According to Hilton and Richie, they came up with the concept themselves and fleshed it out before sharing it with anyone. Really, it began as a joke. “We were laughing about how absurd it would be if we turned ‘Sanasa’ into an opera, and once it came out of one of our mouths, we were like, ‘That is psychotic, and therefore we should do it,’” Richie says.

The women aimed to re-create the fish-out-of-water concept that made “The Simple Life” such compelling television in the first place. Tackling an opera — an area that neither had expertise in — seemed like the perfect opportunity. “We really wanted to just throw ourselves into this world,” Richie says. That meant meeting with top-tier artists and experts in the field such as Thomas Adès and opera producer Beth Morrison.

For the opera, Hilton and Richie opted to chronicle their relationship throughout the years, from their childhood friendship to their prolific careers, which includes memorable vignettes of “The Simple Life.” (Beyond the show, Hilton is a businesswoman, musician and DJ, and Richie is an actor, designer and founder of the lifestyle brand House of Harlow.)

The duo even cast younger versions of themselves to kick off the production. The little girl who plays a younger Richie was the daughter of an acquaintance, and Hilton’s younger alter ego was cast from a TikTok video that her husband, Carter Reum, sent her, where the girl and her sister were asking to nanny their children, London and Phoenix. “They were singing ‘Sanasa,’” Hilton says of the video. “So when we were putting together the opera, this little girl was the first person I thought of to play me.

In the opera, Hilton and Richie also nod to the rift the pair famously endured in 2005. According to Hilton, their public falling-out was less about any personal issues between them and more about the pervasive nature of early 2000s tabloid culture.

During the 2000s, especially, the media was targeting a certain group of girls that Nicole and I were part of,” Hilton says. “So just a lot of the time [they were] inventing stories, trying to pit women against each other, trying to create feuds when there was none.

It was frustrating, she says, because “if you were in [Hollywood], you knew what they were doing, but the outside world had no idea.

When Hilton and Richie were ready to debut their opera, they invited fans, friends and family — even their old orchestra from middle school. But no one knew what to expect. “They were just told to show up,” Richie says. “So they were definitely surprised when they found out that it was an opera.

After the thrill of making an opera, Hilton and Richie are now focused on what’s next for each of them. Hilton is expanding her brand with her media company, 11:11 Media, and is focused on writing her third album. She’s also anticipating the release of her 30th fragrance, “Iconic,” in 2025.

Meanwhile, Richie is focused on her passion for acting. Writing and creating shows, she says, has brought her endless amounts of joy. So, does that leave room for the possibility of them teaming up for an extended version of “The Encore”? It’s a strong maybe.

We haven’t discussed anything official yet,” Richie says, before Hilton adds: “We’ll see how we feel about everything after and see if we want to do more seasons of it.

Gallery Links:
Photoshoots » 2024 » Jason Armond (Los Angeles Times)

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Nicole Richie and Paris Hilton appear on Late Night with Seth Meyers


Written by admin on December 10 2024

On December 9th, Nicole Richie and Paris Hilton appeared on Late Night with Seth Meyers to promote Paris & Nicole: The Encore, which arrives on Peacock on December 12th.





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Films/TV/Radio » Talk Shows » Late Night with Seth Meyers (December 9th 2024)
Photoshoots » 2024 » Late Night with Seth Meyers (December 9)

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Nicole Richie and Paris Hilton created their own SONIC Drive-In drinks


Written by admin on December 10 2024

Nicole Richie and Paris Hilton have partnered with SONIC Drive-In to create their own drinks, aptly named “The Paris” and “The Nicole,” available for a limited time only. Promotional photos by Sara Jaye were also added to the gallery.

The Nicole is sleek & berry sweet featuring flavourful Dr Pepper®, sweet cream, vanilla flavour and real strawberries, topped with whipped topping and more real strawberries.

The Paris is fruity & fun and is sure to slay all day, featuring the refreshing, crisp taste of Sprite®, dragon fruit flavour, and real lemon and lime fruits, topped with whipped topping and NERDS® Candy.


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Photoshoots » 2024 » Sara Jaye (SONIC Drive-In collaboration)

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Nicole Richie and Paris Hilton cover Glamour Magazine


Written by admin on December 05 2024

Nicole Richie and Paris Hilton are on the cover of Glamour US to promote their upcoming series, Paris & Nicole: The Encore, which arrives on Peacock on December 12th. While at Glamour, Paris and Nicole took over editor-in-chief duties for the day, which you can watch below. The magazine photos were shot by Tyler Kohlhoff. You can find the standard questions and answers below, but be sure to check out the full interview write-up at Glamour.com here.



Glamour: We touched on it a bit, but can you explain how the reunion concept came about?
Nicole Richie: Paris and I were on text over Christmas break, and she had sent me a photo of Braxton [Leding], who we lived with in Arkansas during season one of The Simple Life. And it was more just like, ‘Oh my God, look how big he is. He’s an adult now.’ And Paris said, ‘It’s about to be 20 years.’ And I wrote her back and said, ‘Should we do something?’ And she said, ‘Should we?’ And I said, ‘Okay, let’s come back to this. Let’s let it marinate and let’s just see. Let’s see if we really are feeling it.’ So we got together after the new year, and we just talked about what we would want to make together, period. Simple Life related or not, we had done this amazing show 20 years ago and it was something that I look back on with such fond memories.

This seems like a good time to ask about some of the relentless tabloid culture you both endured during the early days of your fame. I was watching clips of interviews and red carpets when you were promoting The Simple Life and it was pretty fucked up, honestly. The way reporters and tabloids treated women was shocking. This time around, is it different?
Paris Hilton: The media in the ’00s was so toxic. They would target a certain group of girls, Nicole and I being two of those, and it was very difficult to be a young girl and discover who you are with the whole world watching. But then also exaggerating and creating these storylines just to sell tabloids. It’s amazing now how much times have changed. I think it’s just a lot more respectful and it feels a lot safer now. The ’00s were vicious to all the girls.

I don’t think people had the media literacy they do now—we truly believed anything we read about celebrities back then. Were you able to shake off the vile stuff you read about yourselves?
Hilton: There would be a lot of nights I’d cry and I’d call my mom. I’d be like, “This is not even true.” But it also made me so strong where after a while I just realized these are people who don’t even know me, they’re just making stories up. The people who love and know me know the truth. And you just have to try to ignore it. So that’s why I feel the girls today are so lucky that that doesn’t happen anymore. It’s very, very traumatizing to have to live through.
Richie: I think it took a heavier toll on me than I could have admitted even to myself at the moment. But looking back, I can see how big of an effect it played on my daily life and my daily choices. But it’s also been such a strong motivation for me to own my own voice and my own narrative. And it makes me really proud of women that we’ve come such a long way to say, “That’s actually not okay.”

Did you both have any expectation, 20 years ago when you signed on to The Simple Life, that it would become such a critical piece of pop culture?
Richie: I mean, we enjoyed doing it, so of course we hoped that people would like it, but the reason why we said yes was solely for the purpose of having fun. We thought it would be such an adventure. We didn’t know what town we were going to. All we knew was that we were going to be gone for 30 days. It’s very different from signing up for something today because you’re doing it to build your brand. That model did not exist back then. So we were solely doing it because we have always chased joy and wanted to have fun.

The longevity of the show is staggering—usually when things have a TikTok resurgence, they go away first and then are rediscovered. The Simple Life never really went away. It’s quoted constantly, and frequently written about. Do you think the reunion special will attract mostly nostalgic viewers or the new generation of fans?
Hilton: Definitely both, because from the beginning of the reunion, we wanted the fans to be a part of it. I put a video on TikTok and said, “We want to include some of the fans in the show with us. And could you please tell me some of your favorite moments as well as sing our song ‘Sanasa.’” And we got thousands of videos from all around the world, all ages. It was such a special moment in time, before social media. You could never do a show like that today. And really, we’re the blueprint for all these other shows.

Did you guys ever disagree about The Simple Life? Or about anything having to do with the new project?
Richie: No, we were navigating the show together, so I think we would always find ourselves on the same side of a situation because we were our safe people in those scenarios. And no, with the new show, we developed the entire thing together.

Obviously both of you come from prominent families. Were they on board with The Simple Life?
Hilton: Our parents did not want us to do it and told us not to.
Richie: Yes, that’s true.
Hilton: It was the first of its kind. They hear that we’re going to be sent somewhere and we don’t know where we’re going. But after the first episode aired, my mom called me and she’s like, “This is the most hilarious show I’ve ever seen in my life. You and Nicole are incredible.” She’s like, “I was wrong for once.”

Now you guys have kids of your own. Nicole, you have a 15-year-old son and an almost 17-year-old daughter. How is it raising teenagers in 2024?
Richie: So wild and fun. I just so clearly remember what it’s like to be a teenager. It feels like it happened yesterday for me. And they know everything I did. I knew before I had them that I was going to have to be transparent with them about who I was. And I’ve actually found freedom in that. I didn’t want my kids having some big discovery about me. And I’ve always been very open and honest with my kids and hope that they are open and honest with me.

Paris, you have a one-year-old daughter and an almost two-year-old son. Is having children different from what you expected?
Hilton: It’s been life-changing. They’re just such little angels and have really changed my whole world, and just make me realize what’s most important in life. It’s love on another level, which I didn’t know I could feel. I’m just so grateful for them every day. They’re just so precious and smart and fun. They’re the cutest things on the planet. My son just learned “Sanasa.”

Was that his first word?
Hilton: His first word was “yas.” And then “mama.”

I’m curious about your thoughts on the Y2K-style resurgence? You both were key architects of that aesthetic in real time.
Richie: It’s very funny and sweet. I don’t necessarily connect with all the Y2K interpretations, which I’m sure is how people in the ’70s thought when we decided that we loved the ’70s. But yes, as far as the Juicy sweatsuits and the trucker hats and everything, yes, it’s very sweet.

Do you still have stuff from that era?
Hilton: I do. My 21st-birthday dress, which is iconic. I have the Von Dutch hat that I was wearing in Arkansas. The Dior monogram pieces, Louis Vuitton, all of that. It was so out there and so extra. It was the most fun time in fashion.

You both have families, businesses, and now this show. Are there enough hours in a day?
Hilton: I always put my babies first, so I am saying no to things all the time. But I also do have a lot of responsibilities with all of my brands and all the different projects I’m doing on a daily basis. So there’s definitely not enough time in the day to get everything done, but I don’t stop and I multitask. So it’s just trying to stack as much as possible into a day as I can. And I don’t really have weekends off. I try to do as much from home as possible. So I built my recording studio there, which is right next to the baby nursery. And my podcast studio is there as well. I try to do as many of the photo shoots from my house as possible. And just saying no to so many different offers because my family means the most to me.

I want to ask about mental health and overall self-care. Paris, when you were in the Glamour office earlier this fall, some of us saw you hooked up to an IV in the hall that was dispensing blue liquid—and we have questions.
Hilton: I’m obsessed with biohacking and wellness. I have this longevity doctor, and he comes once a month and I do methylene blue mixed with NAD, and it’s incredible for cell turnover, for focus, for energy, for anti-aging, for all the things. It gives me so much energy, clarity. It’s like a Benjamin Button IV.
[Editor’s note: Always consult with a licensed physician before beginning any supplement regimen.]
Richie: For me, it’s very important not to run myself into the ground. I have many different facets that I’m juggling all the time, being a wife, being a mother, being a businessperson, being a friend, which I think is so important. Having dinner with my girlfriends and being able to relax and laugh is—I treat it like a job. It is such an important part of my life. And I need it to feel like myself. And then taking time for myself, which is different than taking time with my family. That’s my time to read, to be in nature. And I don’t think that I could really do anything that I do without being connected to myself. And I never want to be in a place where I’m not connected, where I’m not aligned with myself. I want to bring my highest self to anything that I do.

Do you ever rewatch The Simple Life?
Hilton: It’s my favorite show to watch. I’ve never stopped watching it. I’ve seen so many episodes, so many different times. My son, Phoenix, and I watch it, and he just laughs so hard. Every time I laugh, he looks at me and he’s just laughing. He’s like, “Mama, Mama.”
Richie: I’ve seen it. When we decided to do the reunion, yes. Paris came over. We watched a few episodes, so yes, I have, but I hadn’t seen it since it originally came out.
What’s next for you both? Are there more projects together in the future?
Hilton: They’re already asking what we’re shooting next.
Richie: I feel like people are going to want us to do this forever.
Hilton: Literally.
Richie: No, literally. We’re in each other’s lives and we can decide what we do together, whether that be on TV or on film or on this or on that. This has been incredible. It’s been so much fun to shoot something and promote something with your friend. I still get nervous and it makes a world of difference for us to do it together. I wish we could just do everything together.



Gallery Links:
Magazines » Covers » 2024 » Glamour US (December)
Photoshoots » 2024 » Tyler Kohlhoff (Glamour Magazine)

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Nicole Richie for The Hollywood Reporter


Written by admin on December 05 2024

Nicole Richie was photographed by Joelle Grace Taylor for The Hollywood Reporter. In the interview, she reveals the name of her group chat, talks briefly about 2000s fashion and fame, her kids, coming up with the Sanasa Opera for Paris & Nicole: The Encore, and more. The most exciting development is further confirmation that Nicole is, in fact, writing a horror-comedy feature for herself to star in. You can read the interview below or on THR website here.



Never question Nicole Richie‘s devotion to her bees. The Beverly Hills homesteader — she was raising chickens and jarring her own honey long before the term “tradwife” was coined — is wrapping up a story about how her father, Lionel Richie, banished her beehive from his property when she makes the depth of her passion crystal clear.

This anecdote of the “All Night Long” singer’s unwanted insects is quirky and just revealing enough to be part of Richie’s chat show arsenal. I’ve heard it before, though not the part about what happened next. She didn’t relocate the bees to her own home. They went to live on their beekeeper’s property in the San Fernando Valley, which sounds a lot like the proverbial farm upstate. The bees are alive and thriving, I’m assured, and producing more of her small batch sweetener as we speak. But she senses skepticism over how active of a role she plays in the process. “If a mother sends their child to boarding school,” she poses, “is she no longer their mother?

“How often do you visit your bees?”
A lot.
“What is ‘a lot’?”
Often.
“Like, how often?”
You’re questioning my parenting skills, and it’s insulting. I hate this interview.

Richie shakes her head in disappointment and turns her attention to a cooling carafe of coffee. She’s playing, obviously, though I am briefly terrified that she’s serious. Her ability to take a bit to the absolute breaking point rivals that of any Saturday Night Live castmember. In the years since the 2003 launch of The Simple Life made her a household name almost overnight, Richie has embodied many identities — reality star, tabloid fixture, style icon, entrepreneur, satirical trap musician, lamentably underutilized actress — but the thread that’s held this bizarre tapestry of a career together has always been the quick wit and dry delivery that keeps people on their toes.

“I can’t think of a great comedy actor who isn’t funny in real life,” says Tracey Wigfield, the Emmy-winning writer who cast Richie in her 2017 NBC sitcom Great News. “Growing up in L.A., surrounded by entertainment people, that probably played a part. But she’s just inherently funny. She sees the world in a weird way. She’s a natural.”

Richie books relatively steady acting work. Earlier this year, she appeared in a remake of Don’t Tell Mom the Babysitter’s Dead and starred alongside Diane Keaton, Kathy Bates and Alfre Woodard in Summer Camp. Her jewelry line turned lifestyle brand, House of Harlow, is heading into its 17th year and remains her professional focus. The two children she shares with husband Joel Madden (of Good Charlotte fame) are teenagers now but still a few years from leaving the nest. And let’s not forget those vaguely frequent trips to the hive. All that’s to say, at 43, this woman is busy. Yet now, well over a decade after she established herself as a strategic multihyphenate, she’s taking a rare look backward. She doesn’t sound particularly eager to reflect on the years during which she was just famous for being famous, but she’s savvy. Playing the nostalgia card is usually enough for a winning hand in Hollywood, so, on the heels of The Simple Life‘s 20th anniversary, she and co-star Paris Hilton are getting the band back together. And that band is sort of The Beatles of reality TV.

“Without Paris and Nicole, there probably would not have been a Keeping Up With the Kardashians,” says Simple Life co-creator Jonathan Murray, who went on to produce the 280- episode family docuseries. “In fact, Kim’s first TV appearance was guesting on The Simple Life.”

Paris and Nicole: The Encore premieres Dec. 12 on Peacock. It’s not so much a reboot as it is a high-concept reunion. Instead of again embedding among Middle America’s working class — a more complicated prospect today than it was back when America was still bound by post-9/11 kumbaya unity — the pair of childhood friends will now attempt to stage an original opera. Really. They’ll also slip back into their familiar dynamic, two terminally goofy women who thrive (or at least entertain) when outside their comfort zone. The big difference now is that Richie knows exactly what she’s getting into.

I find it fun to play into the public’s perception of me, so that’s what I do,” she says. “I make everything bigger, more ridiculous. That was never the plan, just where I landed in life. Because I’m not really interested in people knowing the real me. Why would I need that?

One fact about Richie that’s most likely real is that she starts every day with a text: “I’m awake.

She and six of her closest friends use a group chat, appropriately titled “I’m awake,” as a medium to say “good morning” and overshare until it’s time for bed. And, no, nobody else on the thread is famous. “If Joel asks, ‘Who are you having dinner with?’, I just say ‘I’m awake,’” explains Richie. “Referring to your group chat has become this way of saying, ‘These people are my constants.’

Most mornings, Richie announces “I’m awake” by 5:30. She likes to start her day early, drop her kids off at school and drive to House of Harlow’s DTLA office. She does not mind the hourlong commute from Beverly Hills, approaching Los Angeles traffic like a game to be won. And she’s early for our breakfast at The Polo Lounge, where staff are again on the offensive about the dress code. A confirmation email had already cautioned the Beverly Hills Hotel commissary’s zero tolerance policy on crop tops, and a host spends two minutes talking somebody on the phone through the wardrobe rules that do and do not apply to children. Even Richie, a lifelong regular, isn’t immune from heightened scrutiny.

A while ago, they told me I had a tear in my jeans, but they’d let it slide that once,” she says. “The tiniest rip. I hadn’t even noticed. They must have spies.

Concealed midriffs should be expected for any establishment charging $28 for a bowl of oatmeal (her order), but this is Los Angeles, where the arc of the sartorial universe bends toward casual. It’s been the opposite trajectory for Richie. Her public identity was forged in the era of velour sweats and garish trucker hats. Perched on an upholstered booth, wearing an oversized sweater and raw denim that doesn’t betray even the hint of a loose thread, Richie’s aesthetic these days, to further exhaust the adjective of the year, is demure. Her high-end jewelry line, more affordable clothing collection, cozy relationship with the fashion press and judging gig on the Tim Gunn and Heidi Klum design competition Making the Cut erased all lingering associations with Juicy Couture — almost.

My daughter asked me if I had any of my old tracksuits for her,” Richie says with a sigh. “My God, who knew we should have saved them? The 2000s are, surprisingly, having a moment.

The Simple Life is part of the aughts’ unlikely renaissance. Despite its relative scarcity on streaming services — episodes are available for purchase but not included in any subscriptions — it’s become a fruitful source of TikTok fodder. Old audio of Richie is frequently repurposed for memes; an especially popular clip finds her describing her ideal partner. (“I don’t like good-looking guys,” a 22-year-old Richie tells a living room full of women in Altus, Arkansas. “I like them to be really skinny and pale and look like they’re dying.”) She says she keeps an employee between herself and social media, but her children and their friends are eager to share whenever a new clip makes the rounds. “They don’t necessarily feel a connection to it,” she says of her kids’ experience watching the show. “Obviously, they know it’s me — but they also say, ‘It’s so not you.’

If The Simple Life were taken to market today, the logline would be something like, “Nepo babies roughing it.” Hilton, of course, is the heiress to the hotel empire that shares her name and Richie hails from music royalty. She’s not embarrassed that her family opened doors for her — “Of course that helped me,” she says. “That’s how I got the show!” — but it’s not what kept her in the room. Murray, the godfather of reality TV who also co-created The Real World and Road Rules alongside his late producing partner Mary-Ellis Bunim, remembers his first meeting with Richie vividly.

“Fox had already been in talks with Paris, so we just started bringing in different friends of hers for interviews, including her sister [Nicky Rothschild, née Hilton],” says Murray. “When Nicole walked in, we knew we had comedy magic. It was like watching Dean Martin and Jerry Lewis. Paris would set up Nicole and she’d come in with these one-liners. No experienced comedy team could’ve written better material.”

“To be with Nicole is to be entertained every second,” offers Hilton. “I’ve been laughing with her since we were 2 years old. On the show, everyone got to see why.”

The Simple Life was a net positive for both women, though it came at a cost. Its five-season run coincided with a period of intense, often sexist public scrutiny focused on Richie in particular, epitomized by a 2006 Vanity Fair profile that devoted the bulk of its 5,000 words to Richie’s weight and appearance. “I’m not angry about anything,” she says of that time. “I think there are and were much more mature 20-year-olds than I was, but boundaries were not necessarily something that I was encouraged to have.

Hilton is not a member of “I’m awake,” but she and Richie refer to each other as family. They spent their childhoods together. They bought pet rats from a now-shuttered tropical fish store in Beverly Grove and named them after castmembers of Beverly Hills, 90210. They performed at piano recitals at the Hotel Bel-Air. And, when they were 7 years old, they wrote a song that consisted of just three syllables — “san-a-sa” — sung over and over and over. This inside joke would not be worth mentioning had the good people at NBCUniversal not bankrolled a three-part TV special about it. The Encore is about turning “Sanasa,” gibberish the two sung exhaustively on The Simple Life, into an opera. “We were never going to sit down on a couch to recap what we did before and be like, ‘That was so fun,’” says Richie. “That’s not something I want to do. But mixing us with the musical elites for that same fish-out-of-water experience? That’s interesting.

Elites is not a stretch. They worked on Sanasa with Thomas Adès, easily one of the most accomplished and lauded classical composers of the 21st century. “We tried to reach [Gustavo] Dudamel, but he was unavail,” Richie adds of the outgoing Los Angeles Philharmonic music director and conductor, who’s already soft-launching his next act with the New York Philharmonic. “I mean, what’s he doing? What’s his problem?

At 16 and 15 years old, respectively, daughter Harlow and son Sparrow are not much younger than Richie and Madden were when they first entered the spotlight. For Hollywood kids, they’ve largely stayed off the radar, only appearing on a red carpet with their parents for the first time in April at the Los Angeles premiere of Don’t Tell Mom the Babysitter’s Dead. When I ask Richie how she feels about the possibility of either of them pursuing a public life at some point, she appears unfazed and possibly unconvinced by the suggestion.

My kids are amazing people who are very clear about what they like and do not like,” she says. “They are definitely people with boundaries, which I so respect. I’m just there to encourage them to lean into what interests them.

One boundary Richie will push is their patience with her unbridled enthusiasm for Christmas. Richie loves the holiday. A few nights before our mid-November meeting, she attended Mariah Carey’s Christmas concert at the Hollywood Bowl. Her home is already half decorated, and she’ll be finished by the day after Thanksgiving. She also refused to acknowledge their doubts about certain traditions when they were younger, a hard line she maintains to this day. “I’m never going to say ‘There’s no Santa,’” she explains. “I still move the Elf on the Shelf every night, and they just roll their eyes on their way out the door. The eye-rolling is part of the joy, anyway.

Richie seeks joy with abandon. It’s in the iPhone slideshow she shares of pets current and past (Speedy, her late bearded dragon, is immortalized in a short film she set to a Serge Gainsbourg soundtrack). It’s why she’ll head to the office she probably needn’t physically work from as soon as we get the check. It’s why she’s still hungry for more acting opportunities, whether the part is offered — “I’ve noticed I always end up in a tight dress” — or self-generated (she’s currently writing her first feature script, a horror-comedy for her to star in). And then there are her beloved bees, and you’d best believe she harvests that honey herself. There should be some left to hand out at Christmas, even if this year’s stock was depleted by Rosh Hashanah. The Jewish New Year’s customary apples and honey collation presented a prime marketing opportunity. “I got very Martha Stewart about it,” she admits. “I’m like, ‘Here you go, put it on your table, make sure the label’s facing out.’

Stewart is someone Richie admires as an entrepreneur and as the personification of a lifestyle. She’s the reason Richie was one of the first to jump on the urban chicken bandwagon, a status symbol she loves to flaunt on the social media she doesn’t manage. But Richie might have an edge on the domestic goddess in one arena. She recently placed first in the annual honey competition held at her beekeeper’s farm.

That was a blind taste test, by the way,” says Richie. “This wasn’t me standing there like, ‘I’m famous, pick my honey!’ I’ll tell you where being a nepo baby does not help me: the bee community.

Gallery Links:
Photoshoots » 2024 » Joelle Grace Taylor (The Hollywood Reporter)

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Nicole Richie and Paris Hilton filming at Sonic Drive-In


Written by admin on December 03 2024

Nicole Richie and Paris Hilton were spotted filming for an “undisclosed project” at SONIC Drive-In in Duarte, California on November 20th in newly released and retouched promotional photos.


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Candids » 2024 » November 20: Nicole and Paris filming at SONIC Drive-In in Duarte, California

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W Magazine Interview Nicole Richie and Paris Hilton about ‘Paris and Nicole: The Encore’


Written by admin on October 09 2024

Nicole Richie and Paris Hilton and were photographed by Colin Dodgson for W Magazine‘s annual The Originals portfolio to promote Paris and Nicole: The Encore. Read the interview on W Magazine’s website here or below:

Your early-aughts show, The Simple Life, left a much larger pop culture legacy than anyone could have anticipated. Now you’re reuniting for Paris & Nicole: The Encore. Why did you think the timing was right for a reunion?

Nicole Richie: It came up organically. I was texting with Paris over Christmas break last year. She said it was about to be the 20-year anniversary. I wrote her back, “Should we do something L-O-Ls?” We gave it room to marinate, and it just felt right. No one else was involved at first.

Paris Hilton: Both of us have been approached so many times over the years with different concepts, but it was perfect timing. It was so fun to spend every day together. Every time I’m with Nicole, I feel like we’re teenagers again.

A lot of people are going to be surprised that the show involves the staging of an operatic performance.

NR: We wrote a song when we were about 7 years old called “Sanasa.” When we were shooting The Simple Life, it was just our little inside joke, but it became an international sensation. People loved it. What people need, even though they don’t know it yet, is for “Sanasa” to be an opera.

PH: The idea of the opera was very unexpected, and that’s exactly why we loved it.

In real life, you’ve been good for years now, but a big part of the original show was that you had a feud. Is that something you’re revisiting?

NR: There was not necessarily a Will Smith and Aunt Viv sit-down. I know for people who followed The Simple Life, that was a very big part of it. There was a whole season where we didn’t shoot together. But our lives are so braided together outside of that. Our relationship has spanned almost 40 years. So for us, I think that was more of a little blip.

PH: The media during that time was very into creating feuds between people and exaggerating and inventing stories to sell tabloids. The world was definitely making a way bigger deal of it than it actually was. Nicole and I have been best friends since we were 2 years old. She’s like my sister.

You’ve both been asked over the years if you’re embarrassed by the show or if you regret doing it, and your answer always seems to be no.

NR: The more time I have away from it, the more I love that I did it. What a fun thing to do in your 20s. We could really only have done it then. If you cut to now, with social media and smartphones, that concept really couldn’t happen in a truly organic way. Season 1, I blindly got on a plane with my best friend, and neither of us knew where we were going. Even when I talk about it now, I have a smile on my face.

PH: The show was the first of its kind and was a huge success. It inspired so many others to try and imitate it. It’s such an important show in pop culture history.

The irony was that it was about you not wanting to work, and yet behind the scenes you were both building your careers. Were there any ­professional lessons you learned from The Simple Life?

PH: We did every type of job that you can think of, from working at fast-food restaurants to being zookeepers. I ­definitely learned how hard people work, and it taught me I could do it all. It also taught me about building a brand and being an influencer even before there was a name for it.

NR: It was very clear in season 1 what the point of the show was. We were pretty hip to it by our second week there. We did five seasons about not having a job, but by season 2 we were producing The Simple Life right along with the executive producers. We were putting together storylines. That was my first experience with creating a television show, and it all started with The Simple Life.

Did you have a dream job growing up?

NR: Until I was 10, I wanted to be Janet Jackson’s backup dancer. That changed when I was 15: I wanted to be Britney Spears’s backup dancer. I was planning on going to college for musical theater. That took a real turn. Then I started doing the show. I’ve always wanted to be in entertainment. I’m very sad that my dreams of being a Rhythm Nation dancer did not come true.

PH: I wanted to be a veterinarian because I love animals so much. Then I realized you have to do surgery on them or put them to sleep, and I didn’t want to do that. So I said I’m going to work so hard and become so successful and build my own empire, and then I can have lots of pets and give them a beautiful life.

Nicole, you’re now working regularly as an actor.

NR: It was always something that I wanted to do. Shooting The Simple Life was a very safe platform for me to practice comedy and practice my timing.

And Paris, you released your second album, Infinite Icon, this September. What made you want to get back in the studio?

PH: I performed with Miley and Sia last year on New Year’s Eve. I flew home with Sia the next day. She said to me, “You were so incredible last night. Why have you not released another album? You were born to be a pop star!” I told her, “I’ve just been focusing on all my other business endeavors, my media company, and everything else that I do.” She said, “What if I executive-produced and wrote the album with you?” How can you say no to that? I’m so grateful for what we’ve created together. It’s so epic.

Did you keep many of your clothes from the ’00s?

NR: No, unfortunately. My parents keep everything, and I think that has triggered me. I get rid of so many things. My family talks about it all the time. I am a shedder.

PH: I want to have everything archived. All of my iconic, important pieces are together. There are certain things that I want to keep for my daughter, London, one day, or to donate to charities. We loan to museums sometimes.

You came up in the public eye in such a unique way, but were there any women you looked up to as role models?

PH: Princess Diana had such a huge heart and was always using her platform to help children and help the world be a better place. Marilyn Monroe is my ultimate icon. The camera loved her, she loved it, she knew how to work it. She was playing a character as well, which I can relate to. She wasn’t a dumb blonde; she was just very good at pretending to be one. Just like me.

NR: It’s always been my mom. My parents definitely gave me the message early on to not idolize anyone, especially people you don’t know. There weren’t necessarily a lot of women in magazines that looked like me. In the ’80s, my mom was out with my dad every single night at the Grammys or this or that. I would sit in her dressing room and watch her getting her hair and makeup done. Her hairdresser gave me my first curl cream. Her makeup artist was the first person to introduce me to MAC makeup. I was very immersed in her world and watched her in awe.

What are you most excited about regarding the new show?

NR: If you’d asked me two months ago, I would have said I’m so excited to shoot it. Rarely do I get to take a month and just shoot a show with my friend. I knew that we were going to laugh the whole time, and that’s always an incentive for me. I’m hoping that people watch it and find the same joy in it that I did.

PH: Nicole and I together is magic. We have this dynamic that’s so real, and there’s just so much history behind it. For the opera, we invited hundreds of fans from around the world to come and watch. It was special to hear what an impact Nicole and I had on them.

Would you do another reunion special for the 50th anniversary?

NR: I’ll be 72 going on 73? Absolutely. Yes. I would do a reunion special in the nursing home, and we would turn up.

PH: We’ll definitely not be in a nursing home, but I know that we would have so much fun doing it.

Gallery Links:
Photoshoots » 2024 » Colin Dodgson (W Magazine’s annual The Originals portfolio)

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